Ho|ma|ge to the Infernal City, image by Daniel Y. Harris
excerpts from On a Train at Night
How
nothing in particular sways in the wind when tendrils whip
In
each which way
As
if inclement weather daunts them serially to a halting stalling just as the
beam
Of
my wanting more blunts me along on its blathering furor —
Gotta
swim against the grain in this creepy world
I
cradle in my weary arms
With
its lush water
Distracting
meals
And
bracing sorrows of the day
Herewith
a grasping for syllables or any air at all which would be most terrible
According
to the connections she made because she could -- she did -- minus the emoticons
--
And
wind again destructive --
Manzanita
puffs fold alongside hills
Downtown
residue of foamseeking -- shared the almond shape of long carrots in mud--
Placed
side by side in virtue of materiality making meaning in their musical placement
calming the scene
for
the moment
~
Household
word
Catching
a mouse from under the credenza she wanders desert shores following clouds of debris
Further
on into crouched disturbances — these dates not on any calendar — time blown as
leaves at season's end
At
the time of a single death
She
follows light
She
follows water
She
follows wind
She
follows earth
Marked
by solemn words sung like cymbals— the poet refuses to name — refuses to sing
hero battles
— paints blood on walls instead — which passes for advance in tattered times —
Herewith
a housefly rubs its ears against the panes — nothing to write about
Really
nothing
To
speak of
Details
swallowed in world
~
Hole in
original world — disturbed — stutters — flashing in and out of being —
Smoke wafts up from fires below
Wordstones
hurled from cliffs above
Split
into pieces
Earth
teeters
Bulked
clouds with fuzzy fingers
Shooting
out
Gray
smudges of arrested rain
Sky
spread jagged and wide
Like
puzzle pieces on a table
Something
about to occur in strain for its arousal
Doesn’t
This
never-occurring anything
Hollow
potential
Halt
between in and out up and down forward and back dark and light arousal and
defeat
Music — categories shattered --
~
It
wants plethoras of peace and silence
Sometimes
to learn so as to forget —
Nearly
dimmer then later stupor
sets in
Whenever
I strike this sonorous bell
That
lingers and is limber touching the runners as they course by
Carrying
the bulges
Too
hot for their frequencies
But
you can’t not wonder for you need the food
How
they make their rounds on their lilting perfect numbers
Is
abstract on their hearths
That
cannot concur in their cash only reconcile their books and plunder
Call
out on high for help
~
In
these eyes words spill over
Before
thought there’s water
Unstable surging that eats at the edges
Quiet
out beyond the breakers
In
the definite crescent and in the craters
A
casting up of weight in the swell
So
that looking into them there is no contact
Outside
the sheer warmth that this is there
Present
in a larger vicinity
The
collision is immanent
A
force pressing down unannounced
Of
memory back to a beginning before remembering
Which
is carried along with effortless floating
That
your hand touches
Brushing
only the sounds of words like tinkling glass on beaches
No escape
~
In
the haze
Before
a yellow moon
Hung over tapestried water
Talking
and tapped
By
muttering birds
That
engender small details
Of
earthly life rhyming above me
The
mind’s broken beauty mends
All
that deigns to wonder or sing
The
table the cup the spoon so generous
The
book the bell the sandal the screen
Overflowing
eyes their struggle to see
The
sorrow of annunciation
~
I
wandered in and was immediately given a name and a score
Now
-- how to distance myself from the crowd--
Was
it diet or hygiene? Wardrobe
coiffure
interior design?
That
night I slipped away to watch baseball under the stars
The
ball the cloud the arching glove
Or
was that scars and love, abrasive unfolding of time against my skin
Without
thinking propelled by the unseen adhesion
Justice
A
penchant for improvement or perfection
The
image of an alternative world -- imagination's horrid ideal --
Proved
to be already exposed and over-determined
I
had to learn a new language just to recover my socks
Which
I left outdoors on the balcony railing of the last hotel
In
the final city of the farewell
tour
Many
times I have wondered what was really in that trunk I’d kept ready all those
years
Plundered
mementoes I planned to take back with me on my eventual return
When
the past as I had imagined it would finally be available in reds and blues
The
mauve poems
I purchasing in the middle of this dream of my flamboyant farewell tour
That
occurred as I woke in another less rudimentary world
And
the words will make it believable and true in their military arrangements
Stitched
together with dental floss because that was all we had
Without
any idea of who or why or where we really were
Or
any actual idea at all
~
I
don’t know nor can see
Buttered
up and offended
Disappointments
marry me to my decreases
Setbacks
set me scurrying
When
against my whacky eye is bent
Any
tattered stickum screed
Disastrously
attacked and attached to me by murky bended invisible threads
Seen
through
~
In
the pleading
Another
voice speaks your obscure name
That
floats on the swimming sea bobbing like cork or corpse
They
yell or call their fever
They
raise their arms pure sapphire
In
sky with its endless terraces
Or
clouds as pieced together witnesses
Of
your tingling nerve endings that paint them
Recreating
suns inside your brain
Charisma
is chemistry
Being
whitehot for the world to pull its handle
And
whole cities spring up plazas
boulevards statues fountains
Beetle
people scatter
Because
a person can’t be flesh
A
terror freezes fluid bone
solid
And
a curtain falls before the eyes
Shoots
out rays of red dejection until little lights flicker on
One
by one along the delirious roadways
And
an insulated wind blows through the pocked canyons
Mowing
him back down under the mock everyday sky
Until
it’s time to say their names -- Count
and recombine their letters --
~
Just
that much urge toward filching — take what isn't yours as if it were —
Take
any sense that truth is spoken here — lethargical liturgical truth --
And
the indignant ones mesmerized by shouting spill over freeways unfurl their
banners
Down
from overpasses
Being
alive's an exaggeration, protest against contingency
An
allergy or flea bite
Bacteria
extol— DNA an arrangement of letters spiral death dance --
But
a stone's set in its ways
You
can't draw blood from it to test its mettle
Glowing
in its aura — the moon I mean — above --
Shocked
by its own light and shrouded in someone else's cloud
~
Juvenile
bombast and highjinks
Stark
summation beside hay ricks when she was young and sex was the primary metaphor
for self --
--
Hold that thought --
Journeying
forth into moist lattice network tugs at spires or spices languor called Freedom determines
political confusion
This
false premise
Herein
the splash that cleanses people once for all —
Sins
wash out anyway in a redemptive present
In
which past is contained
So
forgiveness is impossible
And
inevitable
Let
it alone
Again
Inasmuch
as this proper language holds up in court
To
drown out the other uproar
Of
pictured world in crisis
~
Just
lie down in a boat and sleep
It's
artificial but in our language what isn't?
Peculiar
magic of our idiom. Could be the first time that happened.
Any
variety
Of
the many varieties
Of
endings
That
produce beginnings
When
after nothing something again appears
Curling
shot and extruded desire amounting to no more than …..
Thinking
through, repeating — a new world to
start with —
Down
deep in cavern who could think her way into this newness
No
way but going on being so long as there's voice to holler
Murmur
I mean
Solitude
necessary for any recognized unacknowledging shape — I slake my loneliness in
it —
Which
is never preservative.
.P. is
.J.
Or
so they say at this late hour when we are about to anoint a new king
Same
as the old one
~
Jeered
and mooed and read the oracles
Fuzzy
clouds over sea must mean something like tortoise shells entrails tea leaves
All
pattern decodes significance which is —
what, after all — anything?
The
implications --
Preternatural
twilight once we were happy — whose concept is that? Cows
they
say are happy so people can't be
Bees
and beers and brisket — gristle — these lines indicate that—
How
chew on words of the gone ones of course I do
Everything
said in exactly these residue letters
Shells
and seaweed jumbled by the shore
Invisible
at night
Walking
back and forth in this distracted manner — the melody sways back and forth —
Pock
pock pock pock behind it
~
—Norman
Fischer