Rembrandt van Rijn, The Abduction of Ganymede (1635)
When the nomad’s gonads came under scrutiny
Ganymede’s gametes were also examined
Sexting was considered as barely communicating
At least inside the chamber that was made of amber
Later the chamber was found in shambles
Resembling a daffodil-covered duck
The duck was a naïve conversationalist and something of an alarmist
Equanimity was the goal of all those sitting under a parasol
Rembrandt liked to gallivant around Leiden
Where Spinoza had also found enlightenment
The two may have met walking along the banks of the Rijn
In Leiden where the Rijn widens
Jupiter’s moon Ganymede was discovered and so named by Galileo just 25
years before Rembrandt painted the unwilling mythical boy being
kidnapped by Zeus, who was Jupiter, who was the eagle.
Ganymede was dragged to Mount Olympus, the heavens, to be in charge
of moisture and rain and to be Zeus’s lover. In Rembrandt’s painting the
chubby and clearly unhappy boy is seen with a long stream of urine
flowing from his penis as he is carried off in the eagle’s grasp.
Top of Form
Bottom of Form
When the eagle and the nomad
Came along with the boy, their gonads came along with them
Under certain pleasant conditions Ganymede painted
Considered sexting a naïve form of conversation
at least inside
inside the goal
of the chamber that was also a bar
later the duck named Amber
Later when Rome came to shambles
resembling a parasol
Resembling a bar
Daffodil-covered duck was
Covered duck the earth
Duck the duck the
Duck was made of
Naive conversation and discovered
and discovered by
Something of urine just as an eagle, a beaver, and a beagle walked into a
The bar was not very far.
As far as the eye could see there was matter. Stuff.
Incapsulated in this matter, life found itself to exist—to be.
Inflating existence to the sum total of reality.
Or why should there be something instead of nothing?
Or are we what we choose ourselves to be?