Untitled, image by Bas de Gids
ROADS TO THE
DYSTOPE ACENTERS
it is unbelievably hot and the forth, fifth, in a series
of heatwaves
the extreme amplitudinous amassments we shall now,
henceforth,
call “climatelessness” while in the emotional
athmospheres it is as
it was: the incessant tribulations and capriciocities
en haute voltage
the heat has been shut off with curtains and has been
moved with
the ventilator as it has been invited with open rooms and
doors for
a sense of 'fresh air' but the openings again, shut off
with curtains
and carefully placed linens to prevent mosquito's coming
swarming
let them swarm outside where there is lesser and lesser
presence
of either the insectoid as aviary as mammalian animals
except for
humanity of course which in its whole quadruples every X
hereby
satiating the market of liveability and even the plants
took offense
this biodiverse artificial shifting is due to the
‘climatelessness’ adrift
as southern zoology and botany comes north yet it goes
even further:
airtraveling all littler and more embonpoint sightlier
are organisms
the world over morphs ecology in disecology shadowing
dispolitics
the politics of the toddlers shall be overshadowed by
climatechange
and exiting worldprogrammes shall not be beneficial for
neither an
elongated toddler or prop-blow-nylon doll with tuft of
pubic hair on
his hilarious head morphed both by as constituting
climatelessness
the public sphere then emptied out by what originated
these lands
zoosophisticated and botanical imminent wisdombearers gone
wind
wise the public sphere annexated by public and
streetfurniture with
rims of miles and miles of freeways as roads to the
dystope acenters
SAPPHO
the, Shelley, Byron, Rimbaud, Whitman, Dickinson,
Colette, Carole King,
search for beauty, Sappho, seems an eternal one and what
did they to keep
society out or incorporated it as to paralyse its ugly
features, under which
narcotic spell were they that they suceeded to let beauty
prevail a frail veil
on parchment papyrus paper on the screen we see signs, Li
Po also Lao Tse,
which each cradle a designation to something in world and
time, and these
linguistic characteristics immediately start to
imminently ferment the words
by the words;characters in calligraphic slidings,coptic
design density/dented
seeking nitro beauty at the precious dentistry
instrumentaria deck / dock all
suffused in anxiety to the drill to the molar, the thrill
of clac clac (occlusion)
and hydrophobe waxens to take a bite out to acquire new
dents new signs of
health or, and, getting older. the coptic cake consumed
with fervor and taste
how do we capture that breeze toothpaste smile is this a
breeze of beauty of
now or has artificiality annexed our space of life robbed
us from the bees do
we develop artificial honey with the same viscosity with
oversweet pumped
tits silicone taste to at least have the feeling of
ecology and art Brasilia-ish
this morning at 5am I stood in the kitchen and heard the
growl of the traffic
of this, in fact, 200 million city (see global nightmap
below) while I took my
12 items of medication and there was a kind of rainy
beauty in this the grass
happier after the draughts: rhizomes under the earth as
much thriving above
—Aad de Gids
